My list of influences is long, but I’ll mention a few names: Jun Senoue, Michiru Yamane, Nobuo Uematsu, Harumi Fujita, Takenobu Mitsuyoshi, Yuzo Koshiro, Shusaku Uchiyama, and many others. Especially Japanese music, which I immediately identified with Video games were like a dimensional portal that allowed me to discover music I wouldn’t have heard anywhere else. Especially Japanese music, which I immediately identified with. Because of this, video games were like a dimensional portal that allowed me to discover music I wouldn’t have heard anywhere else.
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We only had four TV channels and a local radio station, which mostly played whatever was popular at the time, and there wasn’t a music store for miles. I come from a small town in Portugal, and growing up, my access to music was very limited. What were your biggest musical influences when you were starting out? Have your tastes changed over the years? It’s curious that I started making game-inspired music using a game console, and now I compose for video games. I took lots of inspiration from the games I played during that experimentation period. I would then hook up the console to a boombox and record my songs onto cassette tapes that I’d give to my friends. I remember the song well - slow and corny, but catchy! In 1999, when I was 12, I came across a very unique title for the PlayStation called Music 2000, which allowed me to sequence my music using a PS1 controller, and then save the project files on my memory card.
Tee Lopes: I composed my first original song when I was 8 using a small arranger keyboard I owned. Nintendo Life: How old were you when you began making music? Can you remember how you started experimenting? We kick off the Nintendo Life Video Game Music Fest - a season of VGM-focused features and interviews - with an email chat with Tee where we asked him about how he started out, how he goes about crafting new music for retro-inspired titles, and his first experience with the Sonic series.
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If you've got a retro revival in the works and want to capture the spirit of a treasured series while also taking the audio to new and exciting places, it seems Tee Lopes is your go-to composer. X Nightmare DLC for Streets of Rage 4, and his work will also be heard in the upcoming Teenage Mutant Ninja Turtles: Shredder's Revenge and Metal Slug Tactics. His talent and passion garnered the attention of the right people over the last decade, and in recent years he's supplied the soundtrack for the brilliant Sonic Mania (a game that's now four-years-old!) as well as the Mr. Tee Lopes started out on the VGM scene releasing remixed and reimagined versions of some of gaming's most beloved music, with a special focus on one blue hedgehog in particular, and his compositions and arrangements now sit alongside those of series legends such as Masato Nakamura, Jun Senoue and Yuzo Koshiro in the Sonic canon. So these clues point to either two possible factors: Sonic Mania pretty much replaces Sonic 4, or Sonic 4 takes place somewhen after Sonic Mania.Fans of certain beloved Sega franchises should be very familiar with this composer's name by now. (That and the valuble Sega Logistic Service USB controllers are design to look like said Saturn controllers.)Īnother obvious factor is the fact Sonic 4 stars Modern Sonnic, Tails and Eggman and Metal Sonic, which itself is an implication that it is a later game in the timeline. Given the cutscenes and the 3D special stages it could be Sonic Mania is posing as a Sega Saturn game. One of these objects is a japanese Sega Saturn controller. In the actual game if you highlight "Option" in the main menu you'd see some various icons to represent the menu. There is known no "floor 4" on the selection of buttons. It is believes these floors represent each known Sonic games. Both games claim to take place "Somtime after saviing Angel Island" however there are some subtle clues to hint Sonic Mania takes place before Sonic 4.įor starters in pre-order trailer for Sonic Mania it depicts Sonic entering a lift with five floor buttons on them: 1, 2, 3, K and M.
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